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Post 2000, songs with hip-hop grooves, dance oriented hooks and electronic club dance music has added new flavor to catchy Bollywood songs.Ī number of catchy Bollywood tunes have funky lyrical and musical elements that take listeners on a musical journey. Over the years catchy songs with funny or creative lyrics have become exceedingly popular in Bollywood. Some of the new Bollywood songs which are a diverse amalgamation of Indian and western musical influences have become party anthems in the global music scene. The musical arrangement in a song brings in a great deal of dexterity in the overall composition. While old catchy Bollywood songs are popular with the older generation, it’s new catchy Bollywood songs that are a hit with youth. While Bollywood has had a number of memorable catchy tunes since early days in films, in recent years the variety of catchy songs in films has increased tremendously.

What a catchy song does is get a listener to subconsciously memorize a groove, tune or lyric.Ī catchy song referred to as an earworm, is a song or piece of music that runs continually through the mind and gets stuck in your head. It could be the beats, the lyrics, the groove, the hooks, or a combination of either. There are different elements that make a song catchy. The Hindi film industry in India is known for its brand of catchy songs. In a musical context the term is used to describe songs that have an infectious groove lyrically or musically. The term ‘catchy’ refers to something memorable or appealing. This article showcases an epic list of catchy Bollywood songs. You realize you’ve liked a song when you subconsciously hum the tune or sing the lyrics of the song. Phaili Hui Hai Sapnon ( House No.The groove or lyrics of certain Bollywood songs get stuck in your head instantaneously.Jeena Yahan Marna Yahan ( Mera Naam Joker 1970).

Hum Aur Tum Aur Yeh Sama ( Dil Deke Dekho 1959).Mere Neendon Mein Tum ( Naya Andaz 1956).Yeh Raaten Yeh Mausam ( Dilli Ka Thug 1958).Dil Ki Girah Khol Do ( Raat Aur Din 1967).To the couple out there who wants to have the coolest wedding ever, this list is my gift to you! 20 Waltz Songs from Classic Bollywood Films: It’s as though thousands of men and women out there aren’t actually scrambling to dance to a Mohammed Rafi song in front of all their friends and family. Raj Kapoor and Nadira dance together singing “Mud Mud Ke Na Dekh,” which begins as a lilting waltz in Shree 420 (1955).īut when I was planning my wedding, I never found that list. 44 (1955) with amorous ballads “ Phaili Hui Hai Sapnon” and” Chhup Hai Dharti.” By the late 1950s, the waltz was adopted by nearly every composer, developing an important place in Bollywood well into the 1970s. Burman highlighted the waltz in his hit House No. Music director Naushad, known for his brilliant Hindustani classical compositions, helped usher the waltz rhythm into Bollywood mainstream as early as with the tragic “ Tod Diya Dil Mera” from Andaz (1949), “ Ab Raat Milan Ki” from Jadoo (1951), and “ Tara Ri Yara Ri” from Dastan (1952). The first known appearance of waltz in a Bollywood song is in “ Hum Aur Tum Aur Yeh Khushi” from Ali Baba (1940) composed by the legendary Anil Biswas. The waltz assumes many unexpected incarnations in classic Bollywood, exemplifying everything from urban glamour to girlish excitement to full-out pity party. There are many variations to this pattern, but generally, it gives the waltz dancers that beautiful wave-like cadence as if they are floating across the floor. A common mistake is that many people think when dancing the waltz, the first beat is when both dancers move “up.” In reality, that first strong beat is when the dancers may move downwards in unison, and return to normal height (or on the balls of their feet) for the lighter beats following.

You can recognize the distinct rhythm of the waltz by listening for a strong first beat followed by two lighter beats. The 3/4 meter of the waltz bears a similarity to the Hindustani dadra 6/8 meter, paving the way for a transition across continents. As I discovered the distinct triple meter of the waltz is not ubiquitous in classic Bollywood, nor can you really fake dancing a waltz to anything else. Nayyar’s “Mere Neendon Mein Tum” from Naya Andaz (1956). Meena Kumari and Kishore Kumar waltz to O.P.